What the child doesn’t want is an observation from
the adult who isn’t really there, who is distracted.
The child wants to know that she is observed, carefully, with full attention. The child wants to be
observed in action. She wants the teacher to see the
process of her work, rather than the product. The
teacher asks the child to take a bucket of water from
one place to the other. It’s not important to the child
that the teacher only sees him arrive with the bucket
of water at the end. What is important to the child is
that the teacher sees the child while the child is
working, while the child is putting out the effort to
accomplish the task — the processes are important,
how much the child is putting into the effort, how
heroic the child is doing this work. What children
want is to be observed while engaged, they do not
want the focus of the observation to be on the final
product. When we as adults are able to see the
children in the process, it’s as if we are opening a
window and getting a fresh view of things.
(Malaguzzi)
. . no matter how it happened, each time “the hero” strode across the stage,
something new was attained, a terrible reverse of laughter, a profound emotion for many in their thought: “Yes, life is worth living! Yes, I’m worthy of life!”-Life, you and me, all of us just as we are, we became interesting to ourselves. We cannot deny that in the long run laughter, reason, and nature ended up becoming masters of each of the great masters of teleology: Brief-tenured tragedy finally has always returned to the eternal comedy of existence. And the sea “with its countless smiles”–to speak with Aeschylus–with its waves, will finally cover the greatest of our tragedies. . .
(Nietzsche)
there is a welcoming of all that happens, an unfolding, and this unfolding, this welcoming, is timeless. All that you welcome appears in this timelessness, and there is a moment when you feel yourself timeless, feel yourself in welcoming, feel yourself in listening, in attention. Because attention has its own taste, its own flavor. There’s attention to something, there’s also attention in which there’s no object: nothing to see, nothing to hear, nothing to teach, only attention.
(Jean Klein)
Death, the ‘proper result’ and therefore the end of life, the end without end, the strategy without finality of the living — all of this is not solely a statement of Schopenheur’s. It also coincides almost literally with several Nietzschean propositions that we had attempted to interpret: on life as a very rare genre of that which is dead (Joyful Wisdom), a ‘particular case’ and ‘means in view of something else’ (Will to Power), this something necessarily participating in death; and finally on the absence, in the last analysis, of anything like an instinct of conservation. The unconscious port of registry, at the distance of this generality, also will have been Nietzschean.
(Derrida)
The new world-conception.– The world exists; it is not something that
becomes, not something that passes away. Or rather: it becomes, it
passes away, but it has never begun to become and never ceased from
passing away–it maintains itself in both.– It lives on itself: its
excrements are its food.
(Nietzsche)
From our “mythology” of the instincts we may easily deduce a formula for an indirect
method of eliminating war. If the propensity for war be due to the destructive instinct, we
have always its counter-agent, Eros, to our hand. All that produces ties of sentiment
between man and man must serve us as war’s antidote. These ties are of two kinds. First,
such relations as those toward a beloved object, void though they be of sexual intent. The
psychoanalyst need feel no compunction in mentioning “love” in this connection; religion
uses the same language: Love thy neighbor as thyself. A pious injunction, easy to
enounce, but hard to carry out! The other bond of sentiment is by way of identification.
(Freud)
So many strange things have passed before me in those timeless moments
that fall into one’s life as if from the moon, when one no longer has
any idea how old one is or how young one will yet be–I should not doubt
that there are many kinds of gods– There are some one cannot imagine
without a certain halcyon and frivolous quality in their makeup–
Perhaps light feet are even an integral part of the concept :god– Is it
necessary to elaborate that a god prefers to stay beyond everything
bourgeois and rational? and, between ourselves, also beyond good and
evil? His prospect of free–in Goethe’s words.– And to call upon the
inestimable authority of Zarathustra in this instance: Zarathustra goes
so far as to confess: “I would believe only in a God who could dance”–
(Nietzsche)
you explore, you look, you listen. And you discover that you know only certain fractions of your body, certain sensations, these are more or less reactions, resistance. Eventually you come to a body feeling that you have never had before because when you listen, it unfolds and the sensitive body, the energy body, appears. It is most important to feel and come into contact with the energy body. Because in the beginning your body is more or less a pattern or superficial structure in the mind, made up of reactions and resistance. But when you really listen to the body, you’re no longer an accomplice to these reactions, and the body comes to its natural feeling, which is emptiness. The real body in its original state is emptiness, a completely vacant state. Then you feel the appearance of the elastic body, which is the energy body.
(Jean Klein)